A POT IN THE HAND

This exhibition brings together a selection of potters who have had a long association with our gallery and six new potters who are receiving national acclaim for the pieces they make. We shall also be exhibiting paintings by Sally Anne Fitter who is exhibiting here for the first time. Most of the pieces in the show are relatively small in scale with just a few exceptions, hence the title of the exhibition.
The John Maltby pieces mainly date back to the 1980s or earlier. Only a few works will be available as these are difficult to source. John no longer makes this style of work as he continues to concentrate on figurative pieces. We have also been fortunate to bring together a selection of pots made by Derek Clarkson and Derek Emms. These two distinguished potters are sadly no longer with us and their work is equally difficult to find.

 

 


 

TWENTY-EIGHTH BAKERS DOZEN

Our 28th Bakers Dozen Exhibition brings together work that has been personally selected since the beginning of the year. We welcome back David and Margaret Frith, Peter Hayes and John Maltby. Jane Hollidge and Robin Welch also return with new work after two years. The remaining ceramicists are new to the gallery and will contribute a fresh ambience to the aesthetic quality of the exhibition.
Ben Arnup is well known for his geometric trompe l’oeil pieces and Lisa Ellul makes exquisite complex hand built forms. Richard Heeley will be exhibiting thrown porcelain tea bowls using blue underglaze decoration which are all beautifully wrapped and boxed. Sarah Jenkins makes a range of pieces re ecting the wonderful Suffolk landscape in which she works and Albert Montserrat will be exhibiting some of his large high red porcelain jars. Paul Wearing is rapidly building up a reputation for his hand-built vessels that have a weathered presence due to the way he develops the different textures within the context of his work.

 


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WORKS BY THE LATE
 DEREK CLARKSON, DEREK EMMS, DAVID LEACH OBE & DAVID WHITE.
A RARE COLLECTION OF FOUR DISTINGUISHED POTTERS

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27th BAKERS DOZEN EXHIBITION

Our 27th annual Bakers Dozen Exhibition brings together a selection of new work that has been selected during the last six months. We welcome back David and Margaret Frith. Peter Hayes, John Maltby and Ruth Shelley (British Glass Biennale award 2015) for this show. Sam Hall, Tony Laverick and Jane Ryan return after two or three years and Clive Davies after a gap of ten.
We are particularly fortunate to be exhibiting Francoise Dufayard from Rennes in France and Terrry Davies who makes his pottery in Tuscany, Italy. Rachel Wood joins us for the first time having just won the German Neue Keramik first prize for ceramics in August of this year.

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CHRIS CARTER

OUT OF THE DARK & INTO THE LIGHT

A MAJOR RETROSPECTIVE COVERING FIVE DECADES OF WORK.
It is over twenty-five years since Chris Carter, already established by then as one of the country’s leading potters, began exhibiting work at the Round House Gallery.
At our first meeting, Chris showed me around his workshop situated in an old brick built building on a farm in Warwickshire. Workshops and studios are very private spaces and I quickly became aware that his had its own unique ambience, enhanced by the slow tick of an old mantle clock, just audible over the mellow sounds of Radio Three. While Chris went to make us a cup of tea, I began looking around the workshop with its mood of strong lights and darks, reminiscent of a Rembrandt chiaroscuro painting. With cup of tea in hand, Chris proudly showed me around his workshop. There were pots at every stage of the working process, photographs pinned to the walls, and an array of artefacts that inspired the visual elements expressed within his work. Eventually, I was invited to follow him up an open wooden stairway which led to a display area of completed work. To the right was a locked door which Chris explained was a stockroom of pots which were not for sale and not for anyone’s eyes except his and Jennifer’s, his wife.
Since then the stockroom has steadily filled with pieces of work which have been put aside and reserved for a retrospective exhibition. I entered this room for the first time last September to view these pots, having been invited by Chris to hold a retrospective exhibition of his work, celebrating his five decades of making pots.
The Chris Carter retrospective exhibition at the Round House Gallery, opens with a private view on 7th May 2016. After all these years a cross-section of some of Chris’s best works are finally coming out of the dark and into the light. They will be for sale for the very first time.
Leah and I are honoured to be offered this retrospective by such an eminent artist. We would sincerely like to thank Chris and Jennifer for their support and kind generosity in allowing these pots to be exhibited at our gallery.

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If you are not on our mailing list and would like an invitation to the Private View please contact the gallery via our contact page or telephone Philip and Leah Evans 01283 585348.